In partnership with Americana Music Association, the GRAMMY Museum presented an intimate conversation with GRAMMY Award-winning artist Dave Alvin and GRAMMY Award-nominated artist Jimmie Dale Gilmore and a performance at The Greene Space at WNYC and WQXR in New York City. The conversation included a discussion moderated by Warren Zane about the making of their new album, TexiCali, their collaboration, creative process, and more. 
Dave Alvin and Jimmie Dale Gilmore are one of the many artists to be featured in the GRAMMY Museum’s New York City program series, which includes bringing a slate of the GRAMMY Museum’s renowned GRAMMY In The Schools Education Programs and Public Programs to the East Coast. “A New York Evening With…” is generously supported by the Dawn and Brian Hoesterey Family Foundation.  
ABOUT DAVE ALVIN & JIMMIE DALE GILMORE
When GRAMMY winner Dave Alvin and GRAMMY nominee Jimmie Dale Gilmore made the album Downey To Lubbock together in 2018, they wrote the title track as a sort of mission statement. “I know someday this old highway’s gonna come to an end,” Alvin sings near the song’s conclusion. Gilmore answers: “But I know when it does you’re going to be my friend.”
Six years later, they’re serving notice that the old highway hasn’t ended yet. “We’re still standing, no matter what you might hear,” they sing on “We’re Still Here,” the final track to their new album TexiCali. Released June 2024 via Yep Roc Records, TexiCali continues to bridge the distance between the two troubadours’ respective home bases of California (Alvin) and Texas (Gilmore).
The geographic theme reflects Alvin’s repeated journeys to record in Central Texas with Gilmore and the Austin-based backing band that has toured with the duo for the past few years. As Alvin puts it in the liner notes, those road trips informed the music they made on TexiCali:
From one part of the borderland to another, through concrete swaths of traffic, tract homes and shopping malls, across vast rocky deserts of Joshua trees, saguaros and ocotillo, speeding by forgotten battlefields, remote mining towns, corrido barrooms, cinder block churches and abandoned houses filled with abandoned dreams, past Mission San Xavier del Bac, Cochise’s Stronghold and Apache Pass, into the shimmering lights of El Paso/Juarez before the seemingly eternal emptiness of West Texas, traveling those 1,400 miles somewhere between Nothingness and Everything.